17/09/14
This music video demonstrates the genre of Rap/Hiphop. This is shown through mise-en-scene as the costumes in the video shows the key iconography. For example are hats, baggy jeans, baggy jackets, hoody's and balaclavas. Props have also contributed for example the bling jewellery and the music system. There is a recurring use of 'diamond' throughout the video amplifies the connotation of Jay-Z being 'the diamond in the rough'.

The video shows the notion of looking through a slight voyeurism as there are a few short shots of women in their bikini's being sexy. There is derogatory treatment of women as they are being compared to a dog as the editing of the shots has been done in a graphic match; a shot of the women being shown then cut to a shot of the dogs. At this cut the term of 'Bitches' is being said in the lyrics, this then creates the link between the visuals and lyrics as the term bitches is indicating to the women and the dogs. There maybe very few shots of women however the voyeuristic treatment of women is still shown.

The genre through the visuals is clearly shown as a gangster lifestyle and typical 'thug-life' as the setting shows graffiti's on the walls, being in Brooklyn(run down area), basketball courts and police in the surroundings bringing the impression of criminals around. There are also camera shots of people doing hip-hop dancing which contributes to the idea of hip-hop. A shot of the suitcase full of money in the boot of the car creates that tension towards the audience of whats going to happen as the police has caught him out.

This music video is very realistic in the way of representation of Jay-Z's life; dealing with drugs. Through this music video is Jay-Z's life through narrative. The black and white editing effect creates the mood of aggressiveness due to the dullness of everything seeming darker, run down and gritty; this in a way reflects upon poverty. The tone of the music also brings out the aggressiveness and the genre of rap. The videos very 'ghetto style' referencing old NewYork films and opposing usual romantic connotations.
The low angle shots of Jay-Z amplifies the idea of him being the boss along with the close-ups of mostly being him implying that the narrative is about him. However the visuals later show the inferior side of Jay-Z as he is shown against his weakness which is the police, this is illustrated through a high angle shot of him. The handheld cinematography brings out the realistic side of this music video. The editing being short cuts and fast pace builds up that tension.
Throughout the video there are multiple relations between the lyrics and the visuals. For example when Jay-Z says ''Paparazi with there cameras snapping them'' the visuals shows criminals being taken photos in the prison. Each verse has a different story in which the visuals reference each narrative.
Throughout this music video the shots are edited in a very high pace which makes the whole music video fast pace and snappy. The way the shots have been edited to create tension and give the realistic feel by reflecting on the narrative.
As the song fades there is a relationship between the rhythm of the music and the visuals as they both go in sync. There is in intertextual reference of Rick Ruban and rounder of Def Jan. The video amplifies the message of the song clearly; he has got lots of problems but a 'bitch' aint one; it really connotes the young black guy and his narrative. There is also another intertextual reference shown in a scene where the camera is showing Jay-Z view on him looking into his mirror.
Overall this music video clearly follows Goodwin's theory of music video as it consists of variety of demonstrations in which reflect upon the genre of Rap/Hip-hop clearly. The relationship between the lyrics and visuals and music and visuals is also done to the extreme. The notion of looking has been contributed as well as the intertextual reference.